[R570.Ebook] Ebook Free Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages, by Thomas J. Mathiesen

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Ancient Greek music and music theory has fascinated scholars for centuries not only because of its intrinsic interest as a part of ancient Greek culture but also because the Greeks' grand concept of music has continued to stimulate musical imaginations to the present day. Unlike earlier treatments of the subject, "Apollo's Lyre" is aimed principally at the reader interested in the musical typologies, the musical instruments, and especially the historical development of music theory and its transmission through the Middle Ages. The basic method and scope of the study are set out in a preliminary chapter, followed by two chapters concentrating on the role of music in Greek society, musical typology, organology, and performance practice. The next chapters are devoted to the music theory itself, as it developed in three stages: in the treatises of Aristoxenus and the Sectio canonis; during the period of revival in the second century C.E.; and in late antiquity. Each theorist and treatise is considered separately but always within the context of the emerging traditions. The theory provides a remarkably complete and coherent system for explaining and analyzing musical phenomena, and a great deal of its conceptual framework, as well as much of its terminology, was borrowed and adapted by medieval Latin, Byzantine, and Arabic music theorists, a legacy reviewed in the final chapter. Transcriptions and analyses of some of the more complete pieces of Greek music preserved on papyrus or stone, or in manuscript, are integrated with a consideration of the musicopoetic types themselves. The book concludes with a comprehensive bibliography for the field, updating and expanding the author's earlier Bibliography of Sources for the Study of Ancient Greek Music.

• Sales Rank: #2164884 in Books
• Published on: 2010-01-06
• Original language: English
• Dimensions: 9.00" h x 2.06" w x 6.00" l,
• Binding: Paperback
• 822 pages

Review
“Apollo's Lyre is essential reading for all those interested in Greek music and music theory.”—Leofranc Holford-Strevens, Early Music (Leofranc Holford-Strevens Early Music)

"Apollo's Lyre is magisterial, encyclopedic, elegantly written, perfectly edited, temperate in its tone, and meticulous in its argument. Further, its rich documentation in translation and in the original Greek gives it the highest credibility. . . . One of its principal strengths [is] the presentation of subject matters from the ancient sources in their original order an from their original viewpoint. This feature, aided by the author's trenchant commentary, will permit readers repeatedly to engage the primary testimony and to construct their own narratives from it in accordance with changing scholarly and pedagogical agendas. Such a book is destined to become a basic reference and an indispensable foundation for advanced competence in the field of ancient Greek music for decades to come."—Music Theory Spectrum (Music Theory Spectrum)

"This is an important work, indispensable for anyone wishing to approach the field of ancient Greek music."—Journal of the American Musicological Society (Journal of the American Musicological Society)

About the Author
Thomas J. Mathiesen is David H. Jacobs Distinguished Professor of Music and Director of the Center for the History of Music Theory and Literature at Indiana University.

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3 of 3 people found the following review helpful.
Depth, clarity and humour...
By Anthony Rooley
Such an open, welcoming to a vast topic treated generously - this is more than 'scholarship' - more a lifetime's work filled with passion and admiration. My enthusiasm for ancient mythology will now be continuously fed as though from a Purling Stream of Helicon! I will return again and again to feed my joy and pleasure in ancient creative thought!

Anthony Rooley

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[L483.Ebook] Download Una nuova ecologia (Scienza della relazione) (Italian Edition), by Priscilla Bianchi

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Dalla nostra relazione con l’ambiente dipende la qualit� della nostra vita, per questo dovremmo re-imparare non solo a camminare sul pianeta, ma con il pianeta, andare pi� in profondit� nella nostra concezione di ecologia, per riscoprire l’essenza di quel che ci circonda, e che solo apparentemente � situato all’esterno di noi.

• Sales Rank: #2544288 in eBooks
• Published on: 2011-12-01
• Released on: 2011-12-01
• Format: Kindle eBook

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[J224.Ebook] Download Bartleby and Benito Cereno, by Herman Melville

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Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these — "Bartleby" and "Benito Cereno" — first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
"Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
"Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.

• Sales Rank: #67888 in Books
• Published on: 1990-07-01
• Released on: 1990-07-01
• Format: Unabridged
• Original language: English
• Number of items: 1
• Dimensions: 8.38" h x .27" w x 5.22" l, .21 pounds
• Binding: Paperback
• 112 pages

From the Back Cover
Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these—"Bartleby" and "Benito Cereno"—first appeared as magazine piece and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
"Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
"Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
Dover (1990) republication of standard texts of works originally published in The Piazza Tales, 1856. Note to Dover Edition.

About the Author

Herman Melville (1819–1891) found early success with stories inspired by his adventures in the South Seas. His fortunes declined with the 1851 publication of Moby-Dick, now recognized as a masterpiece but scorned by Melville’s contemporaries. The author was obliged to work as a New York City customs inspector and died in obscurity, three decades before the critical reassessment of his work.

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0 of 0 people found the following review helpful.
Forced to buy this for school
By Jo Nah
Although I hate this book it was delivered on time and is as advertised.

10 of 12 people found the following review helpful.
Bartleby: A case study in clinical depression
By A Customer
Bartleby is the story of a classic (though in those days undiagnosed, of course) case of what we now call "clinical depression." His symptoms--especially his utter passivity and his complete indifference to his own fate to the point of paralysis and eventual death from starvation--fit the textbook definition of the disorder down to the last detail. And of course, when the reader discovers at the very end of the story that Bartleby had lost his previous job, we have the final piece to the puzzle--the likely catalyst for his mental illness. Unfortunately, cases like this happen all the time in real life.
This is a superbly well-written but very disturbing--even haunting--story that will send a shudder of recognition through anyone who has ever known a victim of this crippling psychological disorder.

3 of 3 people found the following review helpful.
Bartleby , the Underground Man, The Overcoat
By Shalom Freedman
This review is of one of the long stories, or novellas that constitute this volume, 'Bartleby, the Scrivener' , and not of ' Benito Cereno'. 'Bartleby'is one of the great pieces of American and of Existensial Literature. It's hero, ' Who prefers not to' in some way compares with those other lonely nineteenth century city-dweller isolatos, Dostoevsky's Underground Man, and Gogol's Akakay Akakayevitch. He too has a cousin in much of Kafka's literature perhaps most especially in 'The Metamorphosis'.

The good- natured lawyer narrator, the employer of Bartleby who tells the story would seem to come from a world of ordinary pleasures, family and understanding. Thus his amazement at the worldless Bartleby who cannot say 'yes' to anything even kindness or human consideration.

Bartleby says ' no' and in saying ' no' he somewhow hangs on to, and affirms his own distinct identity and individuality. He is in one sense the anti- hero whose integrity is simply in refusing to follow and obey convention and the ordinary temptations of mankind.

At the same time he is obviously a no-body and a nothing, one who by saying 'no' also denies his own common humanity.

One of the paradoxes of this great story is the somewhat majestic , humorous and ironic tone of the narrator who so calmly presents a tale of isolation bordering on horror.

Close to one- hundred years later a writer far more popular in his time than Melville managed to be in his , J.D. Salinger would present in Holden Caulfield another example of the American naysayer to Society's demands, and hypocrisies. Old Holden however as opposed to Bartleby will be ' quite articulate'. When he prefers not to he will tell us all about it. Enigmatic Bartleby on the other hand charms us by his silence, and his one- track refusal to compromise. He seems to say to us , that even if we think we understand him, we cannot.

And this too is part of this work's special mystery and power.

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[M111.Ebook] Ebook Free The Structure of Typed Programming Languages (Foundations of Computing), by David A. Schmidt

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The Structure of Typed Programming Languages describes the fundamental syntactic and semantic features of modern programming languages, carefully spelling out their impacts on language design. Using classical and recent research from lambda calculus and type theory, it presents a rational reconstruction of the Algol-like imperative languages such as Pascal, Ada, and Modula-3, and the higher-order functional languages such as Scheme and ML.David Schmidt's text is based on the premise that although few programmers ever actually design a programming language, it is important for them to understand the structuring techniques. His use of these techniques in a reconstruction of existing programming languages and in the design of new ones allows programmers and would-be programmers to see why existing languages are structured the way they are and how new languages can be built using variations on standard themes.The text is unique in its tutorial presentation of higher-order lambda calculus and intuitionistic type theory. The latter in particular reveals that a programming language is a logic in which its typing system defines the propositions of the logic and its well-typed programs constitute the proofs of the propositions.The Structure of Typed Programming Languages is designed for use in a first or second course on principles of programming languages. It assumes a basic knowledge of programming languages and mathematics equivalent to a course based on books such as Friedman, Wand, and Haynes': Essentials of Programming Languages. As Schmidt covers both the syntax and the semantics of programming languages, his text provides a perfect precursor to a more formal presentation of programming language semantics such as Gunter's Semantics of Programming Languages.

• Sales Rank: #2212058 in Books
• Published on: 1994-03-01
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .90" w x 6.90" l, 1.85 pounds
• Binding: Hardcover
• 383 pages

About the Author
David A. Schmidt is Associate Professor in the Department of Computing and Information Sciences at Kansas State University.

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9 of 9 people found the following review helpful.
difficult but interesting
By Brian Caulfield
This book formally describes the type semantics of procedural and functional languages. It is about half dense prose and half math notation. It's not what you would call a popular treatment. As with any book that has very heavy math notation, I found myself reading very slowly. However the material is interesting. Various research results from the early 90s are presented. I think that thoughtful programmers who are interested in compiler technology and/or correctness proofs will enjoy this work.

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[Q227.Ebook] Fee Download Fling: a novella, by Jana Aston

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Fling: a novella, by Jana Aston

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Fling is a STANDALONE novella - about 80 pages

I have a crush on my boss' best friend.
At least it's not my brother's best friend.
Or my best friend's brother.
Or... never mind. It's all pretty cliche.

And worse? My boss' best friend is his business partner.
Which sort of makes him my boss too.
Okay - it's not sort of. It's definite. Gabe Laurent is off limits. Totally off limits.

Which is fine. I make do with my imagination. He'll never know. Ever.
Unless my work bestie passes me an eighties-style teen movie sex quiz
during a meeting and I fill it out.

And it ends up in Gabe's hands...


*** Please Note ***

Wrong - Sophie's Story
Right - Everly's Story
Fling - Sandra's Story
Trust - Chloe's Story�

Each book can be read on it's own, but TRUST takes place 6 months after the first three books.
Characters from those first three books appear in TRUST, living their happily ever afters.

• Sales Rank: #177 in eBooks
• Published on: 2016-11-01
• Released on: 2016-11-01
• Format: Kindle eBook

Review
"Fling packs a punch with heated scenes that will melt your panties and complex characters you can't help but fall in love with."�~Audrey Carlan, #1 NYT Bestselling Author

Most helpful customer reviews

2 of 2 people found the following review helpful.
Love Gabe!! 5 perfect STARS for Fling!!!
By Elizabeth Sherrell
Fling is a novella about Sandra and Gabe. If you've read Jana Aston's Right, then you know they�were secondary characters. The novella�does give us some backstory, so it can be easily read as a standalone. Although, I highly recommend reading both�Wrong and Right--just because they're simply AMAZING!!
“Smart turns me on. Sometimes Gabe wears these thick-rimmed glasses, kinda nerdish. Very Clark Kent. They drive me to the brink of distraction. And I do not like to be distracted. Focus is the name of my game. Focused, reliable Sandra.”
�Sandra is executive assistant to Clemens Corporation’s CEO, Sawyer Camden. She's the sweet, quiet, super productive girl at work. She also has a crush on her boss’ best friend, Gabe Laurent. Gabe just happens to be the very attractive CFO and co-owner of Clemens Corporation. Someone she thinks she has no chance with.
During a boring office meeting, Sandra is given a note asking some very intimate questions by her best friend and co-worker, Preston. It was never meant to be seen by anyone—let alone Gabe. But once it ends up in his possession, he decides to pursue the beautiful, shy assistant.
I’m a huge fan of Jana’s entire�Wrong series! Like always, her writing is a great mix of sweet, sexy, and laugh out loud moments. If you’re looking for a short, flirty romance--Fling is PERFECT!!!

2 of 2 people found the following review helpful.
I was not disappointed by FLING
By Love to Read
This is Jana's third book and first novella. As a first time published author she had me hooked with WRONG. RIGHT, her second offering, was the icing on the cake. I'm a big fan of her writing style and eagerly looked forward to this novella and to the release of TRUST. I was not disappointed by FLING. The characters are both fun and sweet. It was a quick, but satisfying read. Perfect for a lazy afternoon. Miss Aston's books maintain the perfect balance of humor, sweetness, romance and sex. I would literally read anything she writes. All books thus far are interconnected so you already know and love many of the characters and can follow the story. I love that she doesn't follow the usual pattern of some romance novels by including a major break in the relationship before the HEA. She simply tells their story with wit from the alternating POV of each main character and leaves you wanting more. Thankfully she gives us an epilogue so we feel we get the "more" we crave. I am counting the days until TRUST is released. Keep writing Jana!

1 of 1 people found the following review helpful.
Is it just a Fling, or something more??
By Lindsay Meyers
I was provided an Advanced Copy of Fling by the author for an honest review.

I was so excited to get this on my Kindle over the weekend. I can remember when I discovered Jana's Wrong series and I devoured Wrong and Right in 2 days. So naturally getting Fling on my Kindle was like an early Christmas present for me.

Fling features Gabe (who you might recall from Right as Sawyer's best friend and business partner) and Sandra (Sawyer's executive assistant). Sandra has been lusting after Gabe for some time. And when her best friend/Gabe's assistant gives her an eighties-style teen movie sex quiz during the quarterly meeting, little does she know that it will end up in Gabe's hands.

And so begins the sweet, hilarious and dirty Fling between Sandra and Gabe. But will it turn into more than just a fling? You'll have to read it to find out! But I promise, you won't be disappointed!
---------------------------
With Aston's familiar nods to John Hughes, her laugh-out-loud characters, and her ability to weave together such well-written scenes so succinctly, this will definitely be a favorite read. (Also readers, her next full-length, Trust (Boyd and Chloe), comes out on November 8th!! I can't wait to get my hot little hands on that one too!

See all 314 customer reviews...

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[Z142.Ebook] Download PDF Girl Online: The First Novel by Zoella (Girl Online Book), by Zoe Sugg

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From YouTube sensation Zoella comes a debut coming-of-age novel that perfectly captures what it means to grow up and fall in love in today’s digital world. Girl Online is the first book to be published by Keywords Press, an imprint under Simon & Schuster dedicated to today’s digital stars.

I have this dream that, secretly, all teenage girls feel exactly like me. And maybe one day, when we realize that we all feel the same, we can all stop pretending we’re something we’re not. That would be awesome. But until that day, I’m going to keep it real on this blog and keep it unreal in “real” life.

Penny has a secret.

Under the alias GirlOnline, Penny blogs her hidden feelings about friendship, boys, high school drama, her quirky family, and the panic attacks that have begun to take over her life. When things go from bad to worse at school, her parents accept an opportunity to whisk the family away for Christmas at the Waldorf Astoria in New York City. There, she meets Noah, a gorgeous, guitar-strumming American. Suddenly Penny is falling in love—and capturing every moment she spends with “Brooklyn Boy” on her blog.

But Noah has a secret, too, one that threatens to ruin Penny’s cover—and her closest friendship—forever.

Award-winning and influential YouTube vlogger Zoe Sugg delivers a heartfelt coming-of-age novel that perfectly captures the highs and lows of first love, friendship, and growing up in the digital age.

• Sales Rank: #49816 in Books
• Brand: Atria Keywords Press
• Published on: 2014-11-25
• Released on: 2014-11-25
• Original language: English
• Number of items: 1
• Dimensions: 8.37" h x 1.30" w x 5.50" l, .97 pounds
• Binding: Hardcover
• 352 pages

Features

• Atria Keywords Press

Review
“Sugg’s obvious understanding of the complexities and pitfalls of the online world, coupled with her sensitivity to adolescence, make for a compelling and satisfying coming-of-age tale in the digital age.” (Booklist)

“Girl Online left us wishing adorkable, quirky Penny was our BFF (especially if the package included her amazing best friend Elliot!) because who doesn’t love a sweet, adventure-filled NYC love story? No one, that’s who! A must read for fans of Dash & Lily’s Book of Dares, Invisibility, and Suite Scarlett.” (Justine Magazine)

About the Author
Zoe Sugg, aka Zoella, has been creating stories ever since she was little. Her beauty, fashion, and lifestyle blogs and videos have a huge following online, with millions of YouTube subscribers. Visit Zoella.co.uk, YouTube.com/Zoella, @Zoella on Twitter and Instagram, and GirlOnlineUS.com.

Excerpt. © Reprinted by permission. All rights reserved.
Girl Online Chapter One
Present day . . .

Hey, Penny, did you know that William Shakespeare is an anagram for “I am a weakish speller”?

I look at the text from Elliot and sigh. In the time I’ve been watching the dress rehearsal for Romeo and Juliet (three hours of my life that I will never get back), Elliot has bombarded me with hundreds of random texts about Shakespeare. He’s supposed to be doing it to relieve my boredom but, seriously, does anyone really need to know that Shakespeare was baptized in 1564? Or that he had seven siblings?

“Penny, could you get a shot of Juliet leaning out of the trailer?”

I quickly grab my camera and nod to Mr. Beaconsfield. “Yes, sir.”

Mr. Beaconsfield is the Year Eleven drama teacher. He’s one of those teachers who likes being “down with the kids”—all gelled hair and “call me Jeff.” He’s also the reason our version of Romeo and Juliet is set in a Brooklyn ghetto and Juliet is leaning out of a trailer rather than a balcony. My BFIS (Best Friend in School), Megan, loves Mr. Beaconsfield, but then, he does always cast her in all the lead roles. Personally, I think he’s a little creepy. Teachers shouldn’t want to hang out with teenagers. They should want to mark books and stress about school inspections and whatever else they get up to in the staff room.

I go up the steps at the side of the stage and crouch down beneath Megan. She’s wearing a baseball cap with SWAG printed on the front and has a thick fake-gold chain with a huge fake-gold dollar sign dangling from her neck. There’s no way she’d be seen dead in that outfit anywhere else; that’s how much she loves Mr. Beaconsfield. I’m about to take a picture when Megan hisses down to me: “Make sure you don’t get my spot.”

“What?” I whisper back.

“The spot on the side of my nose. Make sure you don’t get it in the picture.”

“Oh. Right.” I shift to one side and zoom in. The lighting from this side isn’t the best but at least the spot isn’t visible. I take the picture, then turn to leave the stage. As I do, I glance out into the auditorium. Apart from Mr. Beaconsfield and the two assistant directors, all of the seats are empty. I instinctively breathe a sigh of relief. To say I’m not very good with crowds would be a bit like saying Justin Bieber isn’t very good with the paparazzi. I don’t know how people can actually perform onstage. I only have to go up there for a couple of seconds to take a photo and I feel uneasy.

“Thanks, Pen,” Mr. Beaconsfield says as I hurry down the steps. That’s another cringe-fact about him—the way he calls us all by a nickname. I mean, seriously! It’s okay for my family but not my teachers!

Just as I get back to my safe spot at the side of the stage my phone bleeps again.

Oh my God, Juliet used to be played by a man back in Shakespeare’s day! You have to tell Ollie—I’d love to see his face!

I look up at Ollie, who is currently gazing up at Megan.

“But, soft! What light through yonder window breaks?” he says, in the worst New York accent ever.

I can’t help but sigh. Even though Ollie’s dressed in an even worse costume than Megan’s—making him look like a cross between a Jeremy Kyle guest and Snoop Dogg—he still somehow manages to look cute.

Elliot hates Ollie. He thinks Ollie’s really vain and calls him the Walking Selfie, but, to be fair, he doesn’t really know him. Elliot goes to a private school in Hove; he’s only seen Ollie when we’ve bumped into him on the beach or in town.

“Shouldn’t Penny take a picture of me in this scene too?” Ollie asks, when he finally gets to the end of his speech. He’s still talking in his fake American accent—which he’s been doing ever since he got the part. Apparently all the top actors do it; they call it “method acting.”

“Of course, Ollz,” says Call-Me-Jeff. “Pen?”

I put down my phone and run back up the steps.

“Can you make sure you get my best side?” Ollie whispers at me from beneath his cap. His one has STUD printed on the front in black diamante.

“Sure,” I reply. “Er, which side is that again?”

Ollie looks at me like I’m crazy.

“It’s just so hard to tell,” I whisper, my face flushing crimson.

Ollie continues to frown.

“Because they both look good to me,” I say, desperation setting in. Oh my God! What is wrong with me?! I can practically hear Elliot shrieking in horror. Thankfully at this point, Ollie starts to grin. It makes him look really boyish and way more approachable.

“It’s my right side,” he says, and turns back to face the trailer.

“Is that—er—your right, or mine?” I ask, wanting to make double sure.

“Come on, Pen. We haven’t got all day!” Mr. Beaconsfield calls out.

“It’s my right, of course,” Ollie hisses, looking at me like I’m demented again.

Even Megan’s frowning at me now. My face burning, I take the picture. I don’t do any of my usual things, like checking the lighting or the angle or anything—I just press the button and stumble out of there.

When the rehearsal is finally over—and I’ve learned from Elliot that Shakespeare was only eighteen when he got married and he wrote thirty-eight plays in total—a group of us head to JB’s Diner to get milkshakes and chips.

As we reach the seafront, Ollie starts walking along beside me. “How you doin’?” he says in his fake New York drawl.

“Um, OK, thanks,” I say, my tongue instantly tying itself in knots. Now he’s out of his Romeo gangster gear, he looks even better. His blond surfer-dude hair is perfectly tousled and his blue eyes are sparkling like the sea in the winter sunshine. To be honest, I’m not entirely sure if he’s my type—he may be a little too boy-band-meets-athlete perfect—but it’s so unusual for me to have the undivided attention of the school heartthrob that I can’t help feeling embarrassed.

“I was wondering . . .” he says, grinning down at me.

Instantly my inner voice starts finishing his sentence: What do you like to do in your spare time? Why have I never properly noticed you before? Would you like to go out with me?

“. . . if I could take a look at the picture you took of me? Just to make sure I look OK.”

“Oh—er—right. Yes, OK. I’ll show you when we get to JB’s.” It’s at exactly this moment that I fall into a hole. OK, it’s not a big hole and I don’t actually disappear inside it or anything, but I do catch my foot and end up tumbling forward—making me look about as attractive and sophisticated as a Saturday-night drunk. That’s one thing I hate about Brighton, where I live. It seems to be full of holes that exist just for me to fall into! I style it out and luckily Ollie seems not to notice.

When we get to JB’s, Ollie dives straight into the booth next to me. I see Megan raise her eyebrows and I instantly feel like I’ve done something wrong. Megan’s very good at making me feel this way. I turn away and concentrate on the Christmas decorations around the diner instead—the swirls of green and red tinsel, and the mechanical Father Christmas who yells, “Ho, ho, ho!” every time someone walks past. Christmas is definitely my favorite time of the year. There’s something about it that always calms me. After a few moments, I turn back to the table. Luckily, Megan’s now absorbed with her phone.

My fingers twitch as the inspiration for a blog post pops into my head. Sometimes it feels as if school is one big play and we’re all supposed to perform our set roles all the time. In our real-life play, Ollie isn’t supposed to sit next to me; he’s supposed to sit next to Megan. They aren’t actually dating or anything but they’re both definitely on the same rung of the social ladder. And Megan never falls into holes. She just seems to glide through life, all glossy chestnut hair and pouting. The twins slide into the booth next to Megan. The twins are called Kira and Amara. They have non-speaking parts in the play and that’s kind of how Megan treats them in real life—as extras to her lead role.

“Can I get you guys anything to drink?” a waitress says, arriving at our table with a pad and a grin.

“That would be awesome!” Ollie says loudly in his pretend American accent, and I can’t help cringing.

We all order shakes—apart from Megan, who orders a mineral water—and then Ollie turns to me. “So, can I see?”

“What? Oh, yes.” I fumble in my bag for my camera and start scrolling through the pictures. When I get to the one of Ollie, I pass it to him. I hold my breath as I wait for his response.

“Sweet,” he says. “That looks really good.”

“Ooh, let me see my one,” Megan cries, grabbing the camera from him and pressing at it wildly. My whole body tenses. Normally, I don’t mind sharing things—I even give half my advent-calendar chocolates to my brother, Tom—but my camera is different. It’s my most prized possession. It’s my safety net.

“Oh. My. God. Penny!” Megan shrieks. “What have you done? It looks like I’ve got a mustache!” She slams the camera down on the table.

“Careful!” I say.

Megan glares at me before picking up the camera and fiddling with the buttons. “How do I delete the picture of me?”

I grab the camera back from her a little too forcefully and one of her false fingernails catches on the strap.

“Ow! You’ve broken my nail!”

“You could have broken my camera.”

“Is that all you care about?” Megan glares at me across the table. “It’s not my fault you took such a terrible picture.”

In my head an answer forms itself: It’s not my fault you made me take it that way because you’ve got a spot. But I stop myself from saying it.

“Let me see,” Ollie says, grabbing the camera from me.

As he starts to laugh and Megan glares at me even harder, I feel a familiar tightness gripping my throat. I try to swallow but it’s impossible. I feel trapped inside the booth. Please don’t let this be happening again, I silently plead. But it is. A burning heat rushes through my body and I can barely breathe. The pictures of movie stars lining the wall all suddenly seem to be staring down at me. The music from the jukebox is suddenly too loud. The red chairs too bright. No matter what I do, I can’t seem to control my own body. The palms of my hands go clammy and my heart starts to pound.

“Ho, ho, ho!” the mechanical Father Christmas by the door calls. But he doesn’t sound cheery anymore. He sounds menacing.

“I need to go,” I say quietly.

“But what about the picture?” Megan whines, flicking her glossy dark hair over her shoulder.

“I’ll delete it.”

“What about your milkshake?” Kira says.

I take some money from my purse and put it on the table, hoping they don’t notice my trembling fingers. “One of you guys have it. I just remembered I have to help my mum with something. I need to get home.”

Ollie looks at me and for a second I think he actually looks disappointed. “Will you be in town tomorrow?” he asks.

Megan glares at him across the table.

“I guess so.” I feel so hot it’s making my vision blurred. I need to get out of here, now. If they keep me trapped in this booth for much longer, I’m certain I’m going to pass out. It takes everything I’ve got not to yell at Ollie to get out of my way.

“Cool.” Ollie slides out of the booth and hands me my camera. “Maybe see you around then.”

“Yes.”

One of the twins, I can’t tell which, starts to ask if I’m OK, but I don’t stop to answer her. Somehow, I make it out of the diner and onto the seafront. I hear the shriek of a seagull followed by a shriek of laughter. A group of women are tottering toward me, all spray tans on high heels. They’re wearing Barbie-pink T-shirts, even though it’s December, and one of them has a string of learner plates around her neck. I internally groan. That’s another thing I hate about living in Brighton—the way it’s invaded by stag and hen parties every Friday night. I dart across the road and head down to the beach. The wind is icy and fresh but it’s exactly what I need. I stand on the wet pebbles and stare out to sea and wait until the waves, crashing in and rolling out, coax my heartbeat back to normal.

Most helpful customer reviews

1 of 1 people found the following review helpful.
This series is amazing.
By Leanne Parker
After I finished the first book, I cried because it was so good and I didn't want it to end. Zoe is such a good writer and the second book is as amazing as text first "Girl Online" book, if not even better! Her YouTube channel is also awesome ans I watch it 24/7. She's just a passionate and beautiful woman in general. And she is very inspiring and I hope to be like her one day :) I wish I could meet Zoe :( and after I read the first book, I hoped I would meet my Noah while I traveled to California, and I actually did! They even have the same last name (weird, right?!). His name is Aidan Flynn and I'm planning to go to California again soon to see him! Anyways, amazing series. Buying the 3rd book right now!!!

Xoxo, Leanne

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Robert Lacoste's The Darker Side column has quickly become a must read among Circuit Cellar devotees. His column provides readers with succinct theoretical concepts and practical applications on topics as far reaching as digital modulation to antenna basics. Difficult concepts are demystified as Robert shines a light on complex topics within electronic design.

This book collects sixteen Darker Side articles that have been enriched with new, exclusive content from the author. An intro into The Darker Side will give examples of material that can enhance and optimize the way you design. A Scilab tutorial along with Scilab software and all project material will be included with this package so that all projects can be tackled hands-on. Bonus Circuit Cellar content will be included on the CD for FREE! It's time to stop being afraid of the dark, let this book easily guide you through the time-draining, problematic elements of your application design.

*Tips and tricks to enhance design performance
*Practical advice on topics from digital signal design to electromagnetic interference
*A project augments each topic and companion website (http://www.elsevierdirect.com/v2/companion.jsp?ISBN=9781856177627)�delivers all�necessary project files

• Sales Rank: #2106988 in Books
• Brand: Brand: Newnes
• Published on: 2009-11-09
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x .76" w x 7.52" l, 1.40 pounds
• Binding: Paperback
• 368 pages

Features

• Used Book in Good Condition

Review

As reviewed in IEEE Electrical Insulation: "This is an awesome design book! It has a wealth of practical knowledge on many key topics in electrical engineering and is well worth reading from cover to cover."

Most helpful customer reviews

9 of 9 people found the following review helpful.
Nice Mix of Theory And Practice
By Dave
As a long time reader of Circuit Cellar Magazine, I have seen many authors come and go; most of them excellent, none bad. Robert, in my opinion, is in the 'excellent' category. So, when Circuit Cellar advertised Robert's forthcoming book, I of course put my order in here at Amazon. I received the book and have been reading it cover to cover. I was not disappointed. You should be aware, however, that most of the chapters are updated versions of Robert's Circuit Cellar articles with corrections, along with some new material (FFT tutorial and appendices). Personally, I was not disappointed as it is nice to have Roberts's collection in one manuscript. If you don't have a subscription to Circuit Cellar (why don't you?) the book will be of particular more value to you and save you the time of searching for Robert's articles. If you do have a subscription to Circuit Cellar (particularly an electronics version), you will have a corrected version of Robert's articles that is more current and value if you have not read his material in the past. You will find that some of the listings (Scilab in particular) were misprinted (spaces inserted in between variable syllables, but this is a minor irritation. Every book has its bloopers; these types of bloopers are no big deal if you are reading the article to learn and expand upon anyway. There is a companion web site with file downloads.

Much of what is contained in the book can be repeated with free software (Scilab, MPLAB, PUFF, QUCS, etc.), some projects require purchased hardware (DDS chips, PLL, and other discrete components). Again, that should not be an issue to the serious hobbyist/engineer. I don't know for sure, but based on Robert's tools, I'd say he's a fan of open sourced software. Infact, there were a few open source projects I read about in this book I was not aware of (QUCS in particular). Many of the chapters use specialized equipment that many do not have access to (e.g. a spectrum analyzer) but that's a side effect of the topic and shouldn't present too big of a barrier to the resourceful reader.

For your convenience, here is summary of the table of contents found on the Newness Press site:

Foreword - by Steve Ciarcia, Founder/Editorial Director, Circuit Cellar Magazine
Introduction
Section 1 : Impedance concerns
Section 2 : Electromagnetic compatibility
Section 3 : Signal processing
Section 4 : Oscillators
Section 5 : Communications
Section 6 : Power
Section 7 : System control
Annex 1 : Scilab tutorial
Annex 2 : Complex numbers 101
Annex 3 : References and sources

2 of 2 people found the following review helpful.
Expanded and Bound Articles Published in Circuit Cellar
By Jeff Benshetler
If you have not been reading Circuit Cellar magazine, this is an easy 5 stars. This book delivers concrete advice and practical applications for material that was dealt with on a purely theoretical basis in college. The diagrams are clear and the examples are walked through a step at a time. Mssr. Lacoste excels at explaining highly technical topics, and does so with excellent illustrations and a minimum of math.

I gave the book 4 stars rather than 5 because I expected and hoped that the articles would be expanded more than they have been.

1 of 1 people found the following review helpful.
Should be Required Reading by All.
By mstolzle
I have read and used much of the material in Roberts book. I recommend it as required reading by all engineers. I have verified the accuracy and content of the FIR filters and use of Scilab for the digital modulations. Robert is at the top of World Class Engineers, especially for those who apply this work into practice every day. Thanks Robert.

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[C939.Ebook] PDF Download String Figures as Mathematics?: An Anthropological Approach to String Figure-making in Oral Tradition Societies (Studies in History and Phi

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String Figures as Mathematics?: An Anthropological Approach to String Figure-making in Oral Tradition Societies (Studies in History and Phi

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This book addresses the mathematical rationality contained in the making of string figures. It does so by using interdisciplinary methods borrowed from anthropology, mathematics, history and philosophy of mathematics. The practice of string figure-making has long been carried out in many societies, and particularly in those of oral tradition. It consists in applying a succession of operations to a string (knotted into a loop), mostly using the fingers and sometimes the feet, the wrists or the mouth. This succession of operations is intended to generate a final figure. The book explores different modes of conceptualization of the practice of string figure-making and analyses various source material through these conceptual tools: it looks at research by mathematicians, as well as ethnographical publications, and personal fieldwork findings in the Chaco, Paraguay, and in the Trobriand Islands, Papua New Guinea, which all give evidence of the rationality that underlies this activity. It concludes that the creation of string figures may be seen as the result of intellectual processes, involving the elaboration of algorithms, and concepts such as operation, sub-procedure, iteration, and transformation.

• Sales Rank: #3899449 in Books
• Published on: 2015-01-03
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .94" w x 6.14" l, .0 pounds
• Binding: Hardcover
• 392 pages

Review

“Vandenessche (Paris Diderot Univ., France) divides the volume―which is really many books in one―into four parts: ‘How to Study String Figure-Making,’ ‘Mathematics and String Figures,’ ‘Analysing String Figure Algorithms,’ and ‘String Figures in the Field.’ … Summing Up: Highly recommended. Upper-division undergraduates through faculty and professionals.” (D. V. Feldman, Choice, Vol. 53 (3), November, 2015)

“Vandendriessche gives a mathematical analysis of string figure-making. … The author does recommend that every reader try following his instructions to create some of the string figures. I found his instructions clear and the multicolored pictures helpful. … Anthropologists and ethnomathematicians will benefit from the richness of Vandendriessche’s discussion.” (Joel Haack, MAA Reviews, March, 2015)

From the Back Cover

This book addresses the mathematical rationality contained in the making of string figures. It does so by using interdisciplinary methods borrowed from anthropology, mathematics, history and philosophy of mathematics. The practice of string figure-making has long been carried out in many societies, and particularly in those of oral tradition. It consists in applying a succession of operations to a string (knotted into a loop), mostly using the fingers and sometimes the feet, the wrists or the mouth. This succession of operations is intended to generate a final figure. The book explores different modes of conceptualization of the practice of string figure-making and analyses various source material through these conceptual tools: it looks at research by mathematicians, as well as ethnographical publications, and personal fieldwork findings in the Chaco, Paraguay, and in the Trobriand Islands, Papua New Guinea, which all give evidence of the rationality that underlies this activity. It concludes that the creation of string figures may be seen as the result of intellectual processes, involving the elaboration of algorithms, and concepts such as operation, sub-procedure, iteration, and transformation.

About the Author

Eric Vandendriessche has obtained the French "Agr�gation" of mathematics (1992). In 2010, he received his Ph.D. in History and Philosophy of Sciences from Paris Diderot University. Eric Vandendriessche is a member of the Sciences–Philosophy–History French laboratory (UMR SPHERE 7219 – CNRS & Paris Diderot University). He is currently carrying out research in ethnomathematics, doing fieldwork in Papua New Guinea and Vanuatu (Melanesia, South Pacific). The aim of his work is to study the mathematical rationality that underlies activities involving geometrical and algorithmic practices (such as string figure-making or sand-drawing in Oceania), while attempting to analyze how the practitioners of these activities conceive - or have conceived - them in societies of oral tradition. Eric vandendriessche is in charge of the "String figures: cultural and cognitive aspects of a mathematical practice" research program (2012–2015), financially supported by the city of Paris (program "Emergences" 2011).

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[Z723.Ebook] PDF Download Principles of Auditing and Other Assurance Services, by Ray Whittington, Kurt Pany

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Whittington/Pany's "Principles of Auditing", is a market leader in the auditing discipline. Until October 2002, Ray Whittington was a member of the Audit Standards Board and prior to Ray being on the ASB, Kurt Pany was on the board. This has had a major impact on this revision of the text as Whittington has been involved in the audit standards creation process. "Principles of Auditing" presents concepts clearly and proactively monitors changes in auditing making the relationship between accounting and auditing understandable. The 16th edition maintains the organization and balance sheet orientation, while adding and enhancing topics of Risk, Assurance Services, Fraud, E-Commerce, and the latest auditing standards to meet the needs of the current marketplace.

• Sales Rank: #10454626 in Books
• Published on: 2007-07-01
• Original language: English
• Binding: Paperback
• 877 pages

About the Author
Ray Whittington is chairman of the accounting department at San Diego State University, and received his Ph.D. from the University of Houston. He has also been the Director of Audit Research for the AICPA Kurt Pany is a professor of accounting at Arizona State University, and received his Ph.D. from the University of Illinois. He has been the Director of Audit Research for the AICPA and remains an active member of the AAA.

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28 of 31 people found the following review helpful.
The Best Auditing Book Available
By Diego Banducci
During the 16 years that I have taught Financial Auditing at the university level I have been constantly on the lookout for the best available book. I chose Whittington & Pany because (1) it is succinct, (2) it presents auditing concepts clearly (although the authors do sugar coat the accounting scandals of the past 20 years and fail to give credit where credit is due by naming the firms involved in them), (3) the page layout is attractive and easy to read, and most importantly (4) my students preferred it over other texts (one student told me that she chose my class after looking through the assigned texts for all of the Auditing sections, an excellent idea).

The current (15th ed.) has been brought up to date with a limited discussion of Sarbanes-Oxley and the PCAOB.

The material is obviously dry, but I found that it was possible to make my classes more interesting by incorporating newspaper accounts of the more egregious audit failures in the assigned readings, and by being honest about the arrogance, greed and stupidity that are all too typical of the accounting profession today. This practice has brought complaints by the local offices of the major firms, to which my department head replied that they are welcome to come speak to the classes to explain their side of the story. To date, they have not accepted the invitation.

0 of 0 people found the following review helpful.
I just noticed the study guide had 2 (6&7) chapters ...
By Sandra Wong
I just noticed the study guide had 2 (6&7) chapters of the answers ripped out. How can you tell something for $130 and it's incomplete. Any replacement of the answers to these 2 chapters?

0 of 0 people found the following review helpful.
Well Written
By Anon123
Very well written. Easy to follow. The book had a lot of good points. I really enjoyed reading and learning the material as it was presented in class the same way it was written.

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